SSL Announces Its First Personal-Studio Audio Interfaces | NAMM 2020

Interview: Maggie Rogers Looks to Her Next Record

Best of NAMM 2019: Highlights, Trends, and Releases You Should Know

Video: Madame Gandhi on Process and Empowerment in Music Production

Optimizing Latency with Computer Recording: How to Fix Your Audio Interface's Delay

"Synthesizers: Sound of the Future" Exhibit Shows Off Australia's Synth History

How to Make Electric Piano Samples and Plugins Sound Vintage

Video: Akai MPC X Demo with Johnny Bravo

ROLI Announces First Ever Budget MPE Controller, the Seaboard Block

The Synth Sounds of Stranger Things

Drab Majesty Talks Chorus Pedals, Casio Synths, and the Selfless Act of Songwriting

Interview: AceMo on the '90s Gear Behind His New Rave Sound

7 Perfect Mistake Beats: When Producers Screwed Up, But Loved the Results

Beyond Vinyl: 7 Tracks Made With Surprising Sample Sources

How to Apply Multiband Processing to Guitars

In the Studio with Jamie Lidell: Creating a Polysynth out of Monosynths

A Track-By-Track Breakdown of Lucy Rose's New Album, "Something's Changing (Remixes)"

Tim K on the Essential Skill Sets of a Media Composer | Making Music for Films & TV

Bitwig Studio 2 to Get a Major Update with Version 2.3

Video: Exploring the Nine Inch Nails Live Setup with Alessandro Cortini and Ilan Rubin

5 New Drum Machines to Get Excited About in 2017

Basic DJ Gear for Digital and Vinyl Fans

Pioneer Unveils Toraiz SQUID, a New 16-Track Sequencer at $599

The Synth Sounds of Phil Collins' "In The Air Tonight"