Best Sellers
Top products on Reverb over the past 90 days
Best Sellers in Acoustic Guitars - Archtop
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Epiphone Masterbilt Century Zenith
Bringing together a vintage aesthetic with modern construction, the Epiphone Masterbilt Century Collection Zenith calls back to the company's origins with the build and features demanded by today's players. The Zenith is the parlor-style body entry in the series and sports a solid spruce top with traditional longitudinal bracing, mahogany body, and aged nickel trapeze tailpiece to nail the tone and feel of a vintage instrument. If you're in need of some amplification, no sweat: the Zenith's eSonic HD preamp and Shadow NanoFlex HD undersaddle pickup allow you to plug and play whether you're at home or on the stage. - 3
Gibson L-48 1946 - 1957
The Gibson L-48 was introduced after World War II as a simple archtop acoustic. There was some variation as to the wood used on the body through the '40s. Other changes to the wood composition occurred in 1952 and 1957.
Years of Production: 1946 - 1957
Design Elements: Kluson Deluxe tuners, dot inlays, sunburst finish, F-holes - 5
Epiphone Masterbilt Century Deluxe Classic
The Epiphone Masterbilt Century Collection De Luxe Classic captures the timeless cool which made Epiphone a household name and combines it with modern appointments and construction for today's players. Crafted with components like a solid spruce top with longitudinal bracing, solid mahogany body, and C-shape mahogany neck, this resurrection retains the full, plucky tone of the original. Rounded out with an eSonic HD preamp and Shadow NanoFlex HD undersaddle pickup, the De Luxe Classic is the perfect union between antique tone and contemporary functionality. - 20
Gibson L-5 1939 - 1958
Originally built by legendary Gibson luthier, Lloyd Loar, the Gibson L-5 is an extremely collectible acoustic archtop. The earliest L-5s are the most prized, but later examples like those from the '50s are still very highly regarded instruments. Starting in 1939, a cutaway version was produced which lasted until 1982.
Years of Production: 1939 - 1958
Body Style: Archtop acoustic
Design Elements: F-holes, bound fingerboard, block inlays
Notable Players: Maybelle Carter, Lee Ritenour, Wes Montgomery - 21
Gibson L-3 1902 - 1925
Part of the L series, the L-3 evolved from a circular to an oval soundhole starting in 1928. This guitar has an arched Spruce top with Birch back and sides.
Years of Production: 1902 - 1925 - 22
Gibson L-50 F-Hole 1935 - 1971
This long-running Gibson archtop went through several design changes in the '30s and '40s including changes in hardware and body dimensions. Like other Gibsons, there was also some inconsistencies in production during World War II. From 1949 onward, the model stayed large the same.
Body Style: Archtop acoustic
Years of Production: 1935 - 1971 - 25
Gibson L-50 1932 - 1934
This long-running Gibson archtop went through several design changes in the '30s and '40s including changes in hardware and body dimensions. Like other Gibsons, there was also some inconsistencies in production during World War II. From 1949 onward, the model stayed large the same. While most L-50s have F-holes in the body, some of the earliest models used a round soundhole instead.
Body Style: Archtop acoustic
Years of Production: 1932 - 1934 - 27
Epiphone Masterbilt Century Olympic
The Epiphone Masterbilt Century Collection Olympic captures the original quality construction and rich tone that put the company on the map with 21st century electronics for the best of old and new. The Olympic is the classic archtop entry in the series built with a solid spruce top with traditional longitudinal and mahogany body with a Shadow NanoFlex HD under-saddle pickup/eSonic HD preamp combo to make sure you're heard wherever you play. Completed with aesthetic accents like an historic aged-nickel trapeze tailpiece and dovewing banner logo headstock, this model gives a nod to the past with a contemporary build that players of any age will love. - 30
Godin 5th Avenue Acoustic Archtop
The 5th Avenue Archtop Acoustic features a fully hollow 16" Canadian Wild Cherry body with a Silver Leaf Maple neck. It has a unique 24.84" scale length, with a feel in between that of a Gibson and a Gretsch.
Years of Production: 2008 - present - 33
Martin R-18T Tenor 1934 - 1941
Martin produced the R-series of archtops from 1932 to 1942. These guitars failed to earn much attention from players in their day, though are well-regarded by some modern collectors. The R-18 was the first entry in the R-series. Initially, the top was arched with bracing, but by 1937, the R-18 used a carved top.
Years of Production: 1932 - 1942
Wood Composition: Mahogany back and sides, Spruce top, Rosewood fingerboard
Design Elements: F-holes, dot inlays, 4-ply top binding, 14 frets (clear of body) - 40
Martin R-18 Archtop 1934 - 1945
Martin produced the R-series of archtops from 1932 to 1942. These guitars failed to earn much attention from players in their day, though are well-regarded by some modern collectors. The R-18 was the first entry in the R-series. Initially, the top was arched with bracing, but by 1937, the R-18 used a carved top.
Years of Production: 1932 - 1942
Wood Composition: Mahogany back and sides, Spruce top, Rosewood fingerboard
Design Elements: F-holes, dot inlays, 4-ply top binding, 14 frets (clear of body) - 43
Gibson L-4 14-Fret 1928 - 1934
Gibson has used the L-4 moniker on a number of different style guitars over the years starting in 1912. The original L-4 was an acoustic archtop with an oval sound-hole and elevated pickguard. By 1928, the design had changed to a more circular sound-hole with a 14 frets clear of the body. The model changed again when F-holes were introduced in 1933, before the L-4 eventually morphed into an electric archtop as the L-4CES starting in 1958.
Years of Production: 1928 - 1934
Unique to this Year: First year with unbound fingerboard.
Body Style: Archtop acoustic
Design Elements: Round sound-hole, trapeze tailpiece, single-bound top and back, 14 frets clear of body - 47
Gibson L-5C 1948 - 1969
Originally built by legendary Gibson luthier, Lloyd Loar, the Gibson L-5 is an extremely collectible acoustic archtop. The earliest L-5s are the most prized, but later examples like those from the '50s are still very highly regarded instruments. The L-5 C was introduced as the L-5 P as a cutaway version of the L-5. The name was switched to L-5 C in 1948.
Years of Production: 1948 - 1969
Body Style: Archtop acoustic, single cutaway
Design Elements: F-holes, bound elevated pickguard, bound fingerboard, block inlays
Notable Players: Maybelle Carter, Lee Ritenour, Wes Montgomery - 52
Gretsch New Yorker Sunburst 1949
Also known as Model 6050, the New Yorker was a 16-inch non-cutaway acoustic archtop. While the headstock shape and badging changed over the production run, the scale length and body did not. It was available only in a sunburst finish with a tortoiseshell celluloid pickguard. These guitars are not highly sought after compared to other Gretsch acoustic archtops.
Years of Production: 1949 - 1970
Wood Composition: Single-bound Spruce top, single-bound Rock Maple back/sides, Rosewood fingerboard and bridge. - 67
D'Angelico New Yorker Natural 1948
John D'Angelico built 1,164 guitars between 1932 and his death in 1964. His major designs include the Excel and New Yorker, which many collectors rank as some of the finest archtop guitars ever built. Valuation on rare vintage archtops such as the New Yorker is done on a very case-by-case basis. Because the market is so specific and small, no two guitars can be accurately priced exactly the same. Many D'Angelico guitars have suffered from binding deterioration, and those with replaced binding are less desirable than others. The large-bodied New Yorker featured multi-binding on its pickguard and f-holes, and ranks as the most valuable D'Angelico.
Years of Production: 1936 - 1964
Unique to this Era: D'Angelico switches to a stairstep-style tailpiece in 1943. By 1949, most Excels are built with a cutaway.
Body Style: Archtop acoustic
Wood Composition: Curly Maple back and sides, Spruce top
Design Elements: Multi-bound pickguard, f-holes, split block inlays, stairstep tailpiece, multi-bound top - 74
Gibson L-10 1929 - 1934
The Gibson L-10 was a 16" archtop for the first 11 years of its production run and then increased in size to 17" for the remainder of its production, with newly introduced X-bracing.
Years of Production: 1923 - 1934 - 79
Gibson L-5 1922- 1933
The original, all-acoustic non-cutaway Gibson L-5 set a template that influenced jazz archtop design for decades after its debut in 1923. It originally had a 16" wide body, switching over to a larger 17" width in 1935. The earlier, 16" specimens are more highly sought after.
The 1932 model is one of the last years to have the smaller body. Some came with a standard trapeze tailpiece, while others had a Kaufman vibrola tailpiece. Having one or the other does not affect a specimen's market value.
Years of Production: 1922 - 1933 - 84
The Loar LH-300
The Loar LH-300 takes its inspiration from the most storied archtop acoustic guitars of the 1920s. The LH-300's top is hand-carved from graduated spruce, sitting atop traditional maple back and sides for that unique archtop tone that helped define a musical era. With up-scale appointments like a bone nut, compensated adjustable ebony bridge, double-bound body and bound neck, the LH-300 also nails the look of vintage archtops and is a joy to play for jazz guitarists and any archtop enthusiasts. - 86
The Loar LH-700
The Loar LH-700 is a professional-grade archtop acoustic guitar with premium features and appointments. Finely crafted with a hand-carved AAA-flamed spruce top, AAA maple back and sides and figured maple neck, the LH-700's stylish looks are bested only by its sound and playability. The LH-700 boasts the iconic sound of 1920s archtops, with great projection and a beautifully dry sound, making it a favorite amongst professional jazz guitarists and archtop enthusiasts. - 94
Gretsch New Yorker Sunburst 1950
Also known as Model 6050, the New Yorker was a 16-inch non-cutaway acoustic archtop. While the headstock shape and badging changed over the production run, the scale length and body did not. It was available only in a sunburst finish with a tortoiseshell celluloid pickguard. These guitars are not highly sought after compared to other Gretsch acoustic archtops.
Years of Production: 1949 - 1970
Wood Composition: Single-bound Spruce top, single-bound Rock Maple back/sides, Rosewood fingerboard and bridge. - 96
D'Angelico Excel Sunburst 1946
John D'Angelico built 1,164 guitars between 1932 and his death in 1964. His major designs include the Excel and New Yorker, which many collectors rank as some of the finest archtop guitars ever built. Valuation on rare vintage archtops such as the Excel is done on a very case-by-case basis. Because the market is so specific and small, no two guitars can be accurately priced exactly the same. Many D'Angelico guitars have suffered from binding deterioration, and those with replaced binding are less desirable than others.
Years of Production: 1936 - 1964
Unique to this Era: D'Angelico switches to a stairstep-style tailpiece in 1943. By 1949, most Excels are built with a cutaway.
Body Style: Archtop acoustic
Wood Composition: Curly Maple back and sides, Spruce top
Design Elements: Single-bound pickguard, f-holes, split block inlays, stairstep tailpiece, multi-bound top - 97
Martin F-1 1941
Like the Martin R-series, the F-series was a short-lived series of archtops with F-holes produced by Martin in the years before World War II. The F-1 had a carved top and a back arched with bracing. Like other Martin archtops, the F-series never gained the popularity of Martin's flattop instruments.
Years of Production: 1940 - 1942
Wood Composition: Mahogany back and sides, Spruce top, Ebony fingerboard
Design Elements: F-holes, dot inlays, arched back (with bracing), multi-bound top and back
