Sarah Jarosz on Recording Her Grammy-Winning Album, Undercurrent

Brian Jackson, Gil Scott-Heron Partner, on His Recording Past & Present

Eris Drew on the Making of "Quivering in Time"

Touching Bass With Meshell Ndegeocello

The Gear Behind Coma Culture's Glitchy, Tape-y Debut

"Organized Chaos": Geezer Butler on Black Sabbath and the Birth of Metal | Bacon's Archive

Nailing It: Achieving the Tones of Jimmy Page

Recording Abbey Road: The Beatles' First (and Last) Album of the Modern Era

Interview: Purplene's Matt Blackman on the Return of Sydney's Indie Trailblazers

Gear Spotlight: Cymbals Eat Guitars and smallsound/bigsound

Bring That Beat Back: Nate Patrin on How Sampling Made and Remakes Hip-Hop

Jim Eno on the Evolution of Spoon's Recording Techniques, From DIY to Public Hi-Fi

3 Modern Folk Artists on the Diverse Influences and Approaches of Their New Albums

How "2014 Forest Hills Drive" Changed J. Cole | Finer Notes

A Conversation with Marc Broussard

The Making of Megan Thee Stallion's Homemade Debut | Finer Notes

Interview: NNAMDÏ on the Making of "BRAT"

"High-Tech and Hand-Made": Peter Gabriel Shares His Recording Philosophy | Bacon's Archive

Friends Forever: An In-Depth Guide to the Beat Buddy

The Happy Drum Machine Accident (?) That Produced New Order’s Best-Known Hit

The Guitarists and Gear of Britpop

Copyright Basics for Musicians and Songwriters: The Limits of Copyright

Interview: Fender CEO Andy Mooney on Ultras, MIJ Superstrats, and the Future of Guitars

The Country-Roots Mastery of Rodney Crowell