Best Sellers

Top products on Reverb over the past 90 days

Best Sellers in Effects and Pedals - Fuzz

  • 1

    Electro-Harmonix Op-Amp Big Muff Pi Reissue Fuzz

    Built in the image of the coveted late '70s models made famous on the Smashing Pumpkins' enormous album Siamese Dream, the Electro-Harmonix Op Amp Big Muff Reissue Fuzz summons iconic '90s snarl in a compact chassis. Renowned for its enormous, biting presence thanks to the presence of op-amps instead of transistors and three gain stages instead of four, this much-demanded Big Muff is a fast, affordable avenue to the vicious tone of a company classic.
  • 2

    Electro-Harmonix Green Russian Big Muff Distortion/Sustainer Reissue

    Reviving one of the company's cult favorites in a modern, compact pedal, the Electro-Harmonix Green Russian Big Muff gets you devastating low end and sludgy, searing fuzz with three knobs and a stomp switch.


    • Controls: Volume, Sustain, Tone knobs, stomp switch

    • Other Features: Iconic green chassis, Russian font graphic, true bypass
  • 4

    Electro-Harmonix Bass Big Muff Pi Fuzz Pedal

    Why should guitar players have all the fun? Electro-Harmonix delivers the warmest, fuzziest low-end goods imaginable with the Bass Big Muff Pi. While taking the best of the old "Green Box" Russian Muff and the 1970s Big Muff Pi, EHX steps up the bottom with the Bass Big Muff Pi and optimizes this fuzz machine for bass guitar. It's a little easy to get out of control with this beast, so a direct output of the dry signal is available to blend in with the harmonic madness.
  • 5

    Electro-Harmonix Big Muff Pi

    Few stompboxes have shaped the sound of rock like the Electro-Harmonix Big Muff Pi. Fewer still have gone through as many variations while still maintaining their fan bases. From David Gilmour to Billy Corgan to J. Mascis and Dan Auerbach, the Big Muff Pi continues to be the life blood of fuzz.
  • 6

    EarthQuaker Devices Hizumitas

    A collaboration with Japanese doom legends Boris, the Hizumitas is a recreation of guitarist Wata's favorite Elk Sustainer fuzz. The Big Muff-style circuit is raw and rowdy, with enough gain and distortion to make the earth shake. As much heavy distortion and massive bass response as you desire, with the type of purring sustain you could expect from '70s V1 Triangle Big Muffs.
  • 8

    Electro-Harmonix Little Big Muff Reissue

    Sporting the same iconic circuitry that made its larger predecessor famous but housed in a compact chassis, the Electro-Harmonix Little Big Muff captures all the legendary fuzz tone while saving space on your board. Built with high gain and designed for maximum sustain, this effect is an ideal choice for anyone looking to get into the world of Muffs while saving some cash.
  • 9

    Analogman Sun Face Germanium Fuzz

    The Analogman Sun Face Fuzz has been produced since the early 2000s and has been a favorite on the high-end fuzz market. Over the years, it has been produced with a wide variety of transistors, which each provide a different tonal footprint. While some rare chip sets can fetch high prices, there are plenty of more accessible models as well.

    The Sun Face is built with both Germanium and Silicon transistors. Germanium models can be found here. All models are available with or without a "Sun Dial" middle knob which adjusts the pedal's bias, taking the place of an internal trim pot on the 2-knob models.
  • 12

    Death By Audio Fuzz War

    Death by Audio's Fuzz War is not for the faint of heart. You can control the tone with ease, bringing your fuzz up to a scream or down to the grimiest lows. With grungy, nasty fuzz and extreme gain, the Fuzz War creates a massive wall of sound capable of blowing any player away.
  • 14

    Electro-Harmonix Nano Big Muff Pi

    Featuring an ultra-compact enclosure and the same controls for volume, tone and sustain, the Electro-Harmonix Nano Big Muff Pi brings the same creamy fuzz and distortion as the original in a pedalboard-friendly package. Built using the same Big Muff Circuitry in a nano format, this effect is a great introduction to the Big Muff World or just a great fuzz pedal that won't eat up pedalboard space or cash.
  • 19

    Electro-Harmonix Big Muff with Tone Wicker

    Sporting the same muscle as the standard Big Muff Pi with the addition of a three-way tone wicker switch for light or heavy treble boost, the Big Muff with Tone Wicker combines classic fuzz tones with added versatility. From classic to fierce, the Tone Wicker serves up fuzz any way you want it.
  • 20

    Keeley Fuzz Bender

    The Keeley Fuzz Bender is a 5 knob, 3 transistor modern fuzz using a combination of high-gain silicon and silky smooth germanium. What makes fuzz better? Active EQ. Using two gyrators as an active EQ gives you the ability to create massive fuzz tones not possible with typical square-wave boxes. Pummel your amp with over 20dB of boost/cut at 100Hz and 10K Hz. The Fuzz Bender is built around vintage Japanese germanium to create its monumental fuzz tones.
  • 24

    JHS Muffuletta Fuzz

    Containing six separate Muff circuits, the JHS Muffuletta Fuzz is one of the most comprehensive fuzzes on the market, particularly for fans of the Muff sound. The Muffuletta has the circuitry of the '73 Rams Head, The Triangle, The Pi, The Russian, The Civil War, and JHS' own modern take on the Muff circuit. Choose between each of the six circuits and then shape your fuzz using Tone, Volume, and Sustain knobs. Artists like David Gilmour, J. Mascis, John Lennon, Jack White, The Edge, Pete Townshend, Jeff Tweedy, and many more have all had at least one of these five Muffs as pedalboard staples.
  • 26

    Dunlop JHF1 Jimi Hendrix Signature Fuzz Face

    Part of Dunlop's signature artist reissues of the original Dallas-Arbiter Fuzz Face, this one employs a BC108 silicon transistor instead of germanium. Not to be confused with the 1987 - 1993 JH2 Jimi Hendrix Fuzz Face reissue. This newer version is also produced in "mini" form for the space-savers out there.
  • 27

    Electro-Harmonix Black Russian Big Muff Pi

    Already on its way to classic status, the Black Russian Big Muff is favored by many players for its great bass response and nearly infinite sustain. This Muff is great for leads or thick wall-of-sound fuzz. Grab one now as these Muffs are only going to get more valuable with time.
  • 29

    DOD Carcosa Fuzz Pedal

    The DOD Carcosa Fuzz pulls from the playbook of vintage Maestro silicon fuzz boxes from the 1970s...but don't go and think that this pedal is just another clone. Switchable "Hali" and "Demhi" modes take this pedal from a bright, subtle fuzz to unbridled destruction, both of which can be extensively manipulated with the unique "Before" and "After" controls. These unassuming knobs work interactively to bias the fuzz with a number of sweet spots between both dials. When the Carcosa is really ripping and the treble gets to be a bit too much, simply roll around the hi-cut control to tame it down or even lop off the entirety of the high frequency spectrum for a lo-fi stoner rock sound from another era.
  • 30

    ZVex Fuzz Factory Vexter

    The ZVex Fuzz Factory ranks as one of the most influential contemporary pedals on the market. Though often imitated, the original Fuzz Factory remains a one-stop solution for all your unquenchable fuzz needs.
  • 31

    EarthQuaker Devices Hoof Hybrid Fuzz V2

    The Hoof Fuzz is EarthQuaker Devices' flagship fuzzbox, becoming a fast favorite among musicians of all stripes shortly upon on its initial release. Its loosely based on the green Russian-style muff circuit and features a hybrid germanium/silicon design, with NOS germanium transistors that are hand-matched to exacting specs for consistency from pedal to pedal. Tonally, the Hoof promises a wide gain range enhanced by its shift knob, which works with the tone control to alter the pedal's frequency response—whether that's cutting out low-mid mud, boosting highs for a glassy top-end, or adding stoner rock sludge. Whatever your fuzz needs, the versatile and shapeable Hoof can accommodate you.
  • 34

    EarthQuaker Devices Data Corrupter Modulated Monophonic Harmonizing PPL

    Mutating your signal into a vicious square wave fuzz and sending it through a universe of modulated oscillation and subharmonics, the Earthquaker Devices Data Corrupter transforms your guitar into a three-voice mono synth space monster.


      Master Oscillator: Up to three octaves above input with eight octave interval positions and two unison roots


      Subharmonic: Up to three octaves below input with eight octave interval positions and unison or oscillator root


      Frequency Modulator: Rate knobs and Glide/Vibrato switch (Can only be used w/ Master Oscillator or Master Oscillator and Subharmonic together


      Voice Mixer: Blends levels of Square Wave Generator, Oscillator, and Subharmonic


      Other Features: All-analog signal path, relay-based true bypass switching

  • 38

    Electro-Harmonix Deluxe Bass Big Muff Pi Distortion / Sustainer

    The classic Big Muff Pi is perhaps the most widely-used fuzz pedal ever built, and the Electro-Harmonix Deluxe Bass Big Muff Pi adds a new world of control and a deep frequency response tailored specifically for bass guitar. Dial in the crossover controls to hone in your tone, blend the dry signal back in for more impact, and bring the built-in gate to the party if you've got absurd amounts of gain happening and don't want any feedback.
  • 40

    JHS Legends Series Bender 1973 London Fuzz

    The JHS Bender is based off of the 1973 Sola Sound Tonebender. But instead of that vintage circuit's germanium transistors, JHS uses modern silicon transistors selected to match that vintage sound. If you're a fan of the fuzz tones of Led Zeppelin, Jeff Beck, and Mick Ronson—but don't want to pay vintage prices—the JHS Bender is perfect for you.
  • 42

    Electro-Harmonix Triangle Big Muff Pi

    Referred to as the "Triangle" Muff because of its signature volume, sustain, and tone knob layout, the original circuit was the very first Muff EHX made back in 1969, kicking off a line of fuzz pedals that would quickly become ubiquitous with the brand and a favorite among guitarists across a wide range of genres.
  • 43

    Analogman Sun Face Silicon Fuzz

    The Analogman Sun Face Fuzz has been produced since the early 2000s and has been a favorite on the high-end fuzz market. Over the years, it has been produced with a wide variety of transistors, which each provide a different tonal footprint. While some rare chip sets can fetch high prices, there are plenty of more accessible models as well.

    The Sun Face is built with both Silicon and Germanium transistors. Silicon models can be found here. All models are available with or without a "Sun Dial" middle knob which adjusts the pedal's bias, taking the place of an internal trim pot on the 2-knob models
  • 47

    Dunlop FFM3 Jimi Hendrix Signature Fuzz Face Mini

    The Dunlop FFM3 Jimi Hendrix Fuzz Face Mini puts the same exact circuit JHF1 into a compact, pedalboard-friendly enclosure. The smooth, singing sounds of this fuzz were a major part of Jimi's signature sound. A couple modern appointments (aside from the size) like an AC power jack and battery compartment door bring this vintage tone into the 21st century.
  • 49

    JHS Legends Series Supreme 1972 Japan Fuzz

    Seattle grunge greats Mudhoney named their debut album after two fuzzes: the Big Muff and the Super-Fuzz. Originally built by Shin-Ei and sold under a number of brand names, including Univox, the Super-Fuzz is a gnarly octave-up fuzz unit. JHS' Supreme is an exact replica of an original Univox Super-Fuzz. Like its predecessor, the Supreme offers rich, screaming fuzz tones with an octave-up overtone. And the switchable "JHS Mode" lets you get an even more pronounced octave effect, if you dare.
  • 52

    Dunlop FFM2 Germanium Fuzz Face Mini

    The Dunlop Germanium Fuzz Face Mini (FFM2) is a smaller version of the their popular Fuzz Face reissue that saves precious pedalboard real estate. This pedal uses slightly mismatched germanium transistors as opposed to matched silicon in the blue version for a vintage tone that packs plenty of bite.
  • 53

    EarthQuaker Devices Park Fuzz Sound

    When a mystic fuzz of lore is the only pedal that will do, the Earthquaker Devices Park Fuzz Sound stands as an effects Excalibur. Painstakingly recreated from the original pedal produced by Jim Marshall's Park Effects, the Park Fuzz Sound is a perfect fit for stoner rock, dirty blues, or metal.
  • 54

    JHS 3 Series Fuzz

    Get everything from (relatively) tame to wild tones out of this no-fuss boutique fuzz. Use the Bias knob to introduce a sputtery, gated effect. The Fuzz knob itself offers a full range of usable amounts. And if you'd like a bit more low-end, switch the Fat toggle on. (Find the rest of JHS' 3 Series for affordable, essential effects.)
  • 56

    MXR M236 Super Badass Variac Fuzz

    For those after the coveted "dying battery" tone in their rig without the hassle of keeping a bunch of actual dying batteries around, consider the MXR M236 Super Badass Variac Fuzz. Built on the foundation of a redesigned vintage fuzz circuit, the M236 sports an easy-to-use interface of tone, output, and gain, along with the pedal's secret weapon: the Variac knob. Playing with this control allows you to toggle between a 5V and 15V emulation for sounds ranging from a saggy warm bite to a full headroom roar in a compact, no-nonsense package.
  • 59

    Electro-Harmonix Deluxe Big Muff Pi Distortion / Sustainer

    The Electro-Harmonix Deluxe Big Muff Pi is an expanded, highly-tweakable version of the classic Pi fuzz. Taking the ubiquitous sound of the standard Big Muff and adding a whole new world of control, the Deluxe Big Muff Pi goes where vintage Muffs simply cannot. A sweepable mid-shift EQ with separate switch lets you stomp into cutting tones for solo sections, offering a different texture from your standard sound. You can even plug in an expression pedal to control the center frequency and get a moving filter happening on the fly. An attack control brings clarity back to your sound, even at extreme gain levels. Little too much noise in your signal? Bring the onboard gate to the party and tame it with ease. Also switchable on the Deluxe Big Muff Pi are a fixed bass boost and a high/low gain setting, making this version of the Muff the most versatile yet.
  • 62

    MXR M103 Blue Box Octave Fuzz Pedal

    The MXR Blue Box became the go-to octave effect and a gear icon after Jimmy Page used it for his solo in "Fool In The Rain." It's incredibly simple - two knobs for Output and Blend - one of those pedals that just does its thing and sounds good without a ton of dialing in. It tracks your notes and doubles with a two-octave down copy, providing a bassy, raw feel. Put it front of a fuzz and stand back.
  • 63

    Fulltone '69 MkII

    A lean, mean, fuzz machine, Fulltone's '69 MkII serves up the company's iconic fuzz tones in a sleeker housing perfect for pedalboards. The rich, highly customizable fuzz runs the gamut of blues, rock, and metal tones perfect for the likes of The Black Keys, The White Stripes, or Queens of the Stone Age.
  • 66

    Boss FZ-2 Hyper Fuzz

    The FZ-2 Hyper Fuzz by Boss packs two unique fuzzes into one compact unit while boosting gain. It can recreate a traditional fuzz sound, but it also has the capacity to generate a more modern distortion. With two tone controls, you can adjust to your heart's content until you achieve the perfect, precise tone you're looking for.
  • 68

    Death By Audio Apocalypse Fuzz

    Ever wanted to have five tweakable fuzzes in one pedal? Then look no further than the Death By Audio Apocalypse. This fuzz and disotortion pedal five distinct fuzz modes along with a sweepable EQ to change up your tone, and the standard volume and drive knobs. From metal tones with a scooped circuit to octave-up sound to a smooshed, high-gain wall of fuzz, the Apocalypse proves an incredibly versatile, flexible fuzz and distortion, giving you a plethora of options to choose from.
  • 69

    JHS The Crayon

    The JHS Pedals The Crayon is an overdrive pedal that is a smaller version of the JHS Colour Box pedal and emulates the distorted tones of a guitar plugged directly into a vintage British studio preamp, most notably heard in the guitar intro to The Beatles’ “Revolution.” Featuring master, pre-volume and EQ knobs, as well as a high-pass filter switch, the pedal is capable of fuzz, distortion, and overdrive tones.
  • 72

    Catalinbread Katzenkönig Fuzz / Distortion

    The Katzenkonig marries the best of fuzzed and distorted worlds with a streamlined four-knob layout, all-discrete circuitry for the highest quality signal path and response and a trio of silicon transistors for split personality effects monster. Translating to "Cat King," this double-duty workhorse summons the '80s arena buzzsaw of the classic RAT with the Germanium '70s psychedelia sound of a Tone Bender for a new ruler of the pedal roost.
  • 73

    Keeley Monterey Rotary Fuzz Vibe

    The Monterey Rotary Fuzz Vibe from Keeley is a multi-effect pedal meant to capture the classic sounds of the '60s, and the tones of Jimi Hendrix in particular. This pedal combines a vintage-tinged octave fuzz circuit with a rotary speaker emulator and vibrato. The result is a pedal that can achieve all-time classic guitar tones, yet is versatile enough to create something entirely new.
  • 78

    Boss FZ-5 Fuzz

    Featuring COSM modeling technology designed to emulate the sound of classic fuzz pedals, the Boss FZ-5 is a frugally priced pedal that doesn't sacrifice on quality. Built with modern techniques that capture vintage tone, the FZ-5 is the perfect fuzzy marriage of new and old.
  • 82

    Zvex Mastotron Fuzz

    Featuring controls for pulse width, tone and volume, the ZVex Mastotron is a silicon-based pedal perfect for the guitarist who wants a fuzz accent on their pedal chain. Built for precise sculpting, the Mastotron is a little pedal with a big presence.
  • 84

    Fulltone OF-2 Octafuzz 2

    Featuring simple controls for volume and boost and a switch for an octave or fuzz effect, the Fulltone Octafuzz is a versatile pedal based on the original TychoBrahe Octavia. Made famous by Hendrix and capable of of an octave up with a fuzzed edge for experimental sounds, this pedal is perfect for stoner rock, doom, or metal.
  • 85

    Electro-Harmonix Cock Fight Talking Wah / Fuzz

    Electro-Harmonix packs a plethora of sound-shaping possibilities into a small space with the Cock Fight Talking Wah & Fuzz stompbox. Set the filter frequency halfway up its travel for a classic "cocked" wah sound, flip the switch to "Talk" for a vocoder-like speech effect, and fuzz the whole thing up with signature EHX gain and sustain. For more on-the-fly control, patch your favorite expression pedal into the party and step into a whole range of tones not typically available in one effect.
  • 87

    Dunlop JDF2 Germanium Fuzz Face

    Featuring the iconic Fuzz Face chassis and streamlined controls for volume and fuzz, the Fuzz Face Germanium is an industry standard effect at home on any pedalboard. Based on the iconic original Fuzz Face favored by Hendrix, Gilmour and Allman, this pedal goes from light grit to full-on buzz with ease. Perfect for blues, stoner rock, or funk.
  • 88

    MXR M173 Classic 108 Fuzz

    The MXR Classic 108 Fuzz delivers that desirable late '60s/early '70s thick crunch using just two simple knobs. Containing the BC108, famous for its integration in the Fuzz Face, the MXR Classic 108 Fuzz offers that same sound with more modern conveniences, like a pedalboard-friendly shape, small chassis, and true bypass.
  • 90

    Beetronics Vezzpa Octave Stinger

    The Vezzpa joins Beetronics' beloved range of high-quality fuzz and dirt pedals. This time around, the sting is so sharp they had to upgrade the bee imagery to a wasp. The Vezzpa's op-amp fuzz circuit gives you two great options in one compact pedal: the sputtery, gated fuzz of the Fuzzzz channel or the searing octave-up fuzz of the Stinger. With some creative footswitch toggling, you can easily zip between the sounds or let loose sporadic bursts of searing fuzz.
  • 94

    Death By Audio Interstellar Overdriver

    Featuring simple controls for volume and overdrive and a diehard metal construction, the Interstellar Overdriver is a versatile effect capable of adding a slight boost all the way to a searing overdrive. Capturing classic overdrive tones from vintage to modern, this pedal is a perfect choice for blues, alt-rock, or metal.
  • 96

    Wren and Cuff Tall Font Russian Fuzz

    Featuring hard-wire bypass, alpha pots and the iconic triangle knob design of volume, tone and distortion, the Wren and Cuff Tall Font Russian Fuzz summons the power of the classic Muff with modern appointments for a pedal all its own. Rounded on the low end, rich in response on the highs and tempered in the mids, this effect adds the perfect touch of grit ideal for psychedlia, stoner rock or garage.
  • 98

    Dunlop Silicon Fuzz Face Mini

    The Dunlop Silicon Fuzz Face Mini (FFM1) is a smaller version of the their popular Fuzz Face reissue that saves precious pedal board real estate. This pedal uses matched BC108 silicon transistors as opposed to germanium.
  • 99

    Land Devices HP-2

    Pairing PNP and NPN transistors in one chassis for a spectrum of tone spanning warm overdrive to speaker-blowing distortion according to pick attack, the Land Devices HP-2 instantly adds coveted even-order harmonics and destructive tone to your rig. Built to emulate the same pedal loved by the legendary Steve Albini, the HP-2 expands on the original's delectable tone with a streamlined two-knob layout for harmonics and level and a nifty two-way switch that kicks in a diode lift for room-rattling sound. An affordable option for a truly novel effect on any board.

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