Interview: Godiego's Steve Fox on the Early Days of Hard Rock in Japan

Earl Slick on Being David Bowie's Sideman and His New Documentary

More Barn! The Studios and Gear of Neil Young's "Harvest"

Hank Shocklee on Public Enemy's Beats & Textural Sampling

Inside Rob Schnapf's Mant Sounds Studio

Engineer Mark Rankin on Adele's Vocal Setup and Recording Great Drum Tracks

Another Magical Mystery Drum: Ringo's Golden Snare

Video: The Real Guitars Found in 8 Classic Music Movies

On the Bench: Restoring an Old Kay Archtop with Guitars and Caffeine

In the Studio with the Soundelux USA U99

Reine Fiske of Dungen Talks Parts Strats and the Magic of the Klemt Echolette

Touching Bass With Meshell Ndegeocello

Songwriting Approaches of the Masters: Bob Dylan, Tom Waits, and Nick Cave

The Enduring Mystery of Eric Clapton's Albert Hall 335

"A Perfectly Good Guitar": 3 Guitarists Describe Their Favorite Instrument

Jonah Yano Talks "PORTRAIT OF A DOG" and Studio Spontaneity

King Britt on the Gear of Blacktronika History

The Gear of Yellow Magic Orchestra

A Skater's Guide to Home Recording

The Signature Models We Want to See

Is Selling Samples a Viable Career?

Producer Warren Huart on Working with Ace Frehley, Aerosmith, Slash, John 5 and Lita Ford

The Music of Nina Simone and Her Powerful, Beautiful Blackness

Interview: Ben Harper on Recording "No Mercy In This Land" with Charlie Musselwhite