


The Rocket Grey Fuzz celebrates the 50th anniversary of fuzz and features two footswitches to control separately the two circuits, plus Volume and Intensity knobs. The input circuit automatically optimizes its sensitivity depending on which guitar is used, for a final tone that sounds less ring-modulated than older designs.
The Rocket Grey Fuzz solves many struggles with octave fuzz and combinations of octave fuzz and fuzz in several ways - firstly, it has an input circuit that optimizes sensitivity for electric guitar and the octave effect is trimmed to balance allowing playing octave fuzz at any note on the fretboard and even some intervals such as 5ths and Major 3rds which opens up new possibilities. The two fuzzes are also balanced so that there is no need to turn down treble when engaging the octave. The RGF also has a built in smoothing circuit at the output to make slight distortion as tradition says is best. This makes for a standard fuzz sound and octave fuzz with the same EQ and is easy to adapt to most any amplifier - this can greatly enhance use of octave fuzz. Fuzz gain can be set low to obtain an overdrive sound and then using the octave setting gives one a sound similar to sitar.
The Rocket Grey Fuzz features an input circuit which optimizes the sensitivity for guitar, enabling players to engage both the octave up and standard fuzz circuit without needing to adjust the tone.
According to One Control, the tone of this pedal is much purer and less ring modulated than older designs.
Bjorn's Thoughts:The Rocket Grey Fuzz solves many struggles with octave fuzz and combinations of octave fuzz and fuzz in several ways - firstly, it has an input circuit that optimizes sensitivity for electric guitar and the octave effect is trimmed to balance allowing playing octave fuzz at any note on the fretboard and even some intervals such as 5ths and Major 3rds which opens up new possibilities. The two fuzzes are also balanced so that there is no need to turn down treble when engaging the octave. The RGF also has a built in smoothing circuit at the output to make slight distortion as tradition says is best. This makes for a standard fuzz sound and octave fuzz with the same EQ and is easy to adapt to most any amplifier - this can greatly enhance use of octave fuzz. Fuzz gain can be set low to obtain an overdrive sound and then using the octave setting gives one a sound similar to sitar.
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