Interviews

Last Podcast on the Left's Marcus Parks on How to Make a Weird, Successful Podcast

3 Modern Folk Artists on the Diverse Influences and Approaches of Their New Albums

Alexander Burke on Taking Direction from Non-Musicians | Making Music for Films & TV

Interview: Lilly Hiatt on Rickenbackers, Life on the Road, and Recording "Trinity Lane"

Interview: Pallbearer on Post-Apocalyptic Studio Sessions and the Making of “Heartless”

Record Producer Magoo to Sell Studio Gear Collection on Reverb

Electronic Audio Experiments' John Snyder on the Sending Analog Delay

Jeff Beck's Tales From a Life in Guitars | Bacon's Archive

Interview: Producer Carter Lang on Making SZA's "Ctrl" and His "MacGyver" Home Studio

Interview: Aussie YouTuber Shane Diiorio on the Glory of Cheap Gear

Gregory Jenkins on the Oddest Scene He's Ever Scored | Making Music for Films & TV

Interview: Hop Along's Frances Quinlan on Expanding Their DIY Rock Vision

Hexachords' Richard Portelli on the Orb Composer AI Music Software | Reverb Software Pick

Shop Spotlight: Epica Music Store in Rome, Italy

Tim K on the Essential Skill Sets of a Media Composer | Making Music for Films & TV

Video: Cut Copy Shows Off the Synths and Guitars Behind Its Dance-Rock Sound

Shop Spotlight: The Guitar Emporium in Melbourne

What Artists Get Wrong With Their Vinyl Releases: A Conversation with Masterdisk’s Scott Hull

Video: Christian Bland and Jake Garcia of The Black Angels Show Off Their Pedalboards

Interview: Seth Lover on Inventing the PAF Humbucker and Why He Left Gibson for Fender | Bacon's Archive

Interview: Iceage's Johan Wieth on the Making of the "Beyondless"

Exploring the Differences Between Clawhammer and Three-Finger Banjo with Béla Fleck & Abigail Washburn

10 Boutique Pedal Builders Share Their Favorite Weird Effects

Interview: Mastering Engineer Alex Saltz on the Final Stage of a Record's Production